The Truman Show

**_Take a smiling bow and exit_** A 30-years old man living in an idyllic community off the coast of America (Jim Carrey) wants to leave the isle but his efforts curiously seem hindered. What’s going on? “The Truman Show” (1998) is a drama/fantasy/satire helmed by Peter Weir and costarring Ed Harris, Laura Linney, Noah Emmerich and Natascha McElhone. It’s entertaining enough and there are some worthy psychological insights. It takes a more mundane approach compared to “Dark City,” which debuted over three months prior. If you liked the later (superior) “Eternal Sunshine of the Spotless Mind,” you’ll probably appreciate this. It’s a little overrated, however, particular the ending, which I found decent, but underwhelming. It runs 1 hours, 43 minutes, and was shot in Seaside, Florida, which is located on the Panhandle between Pensacola and Panama City. Studio work was done at Paramount Studios in Hollywood. GRADE: B-/C+

Directed by Peter Weir and starring Jim Carrey in a career-defining role, the film tells the story of Truman Burbank, a man living unknowingly in a reality TV show. This premise alone sets it apart in cinematic history. Truman felt real, relatable, and honestly, just amazing. What makes this movie special is how unique the story is. Back in 1998, the idea of someone’s life being filmed without them knowing was way ahead of its time. The film captured and critiqued a cultural shift before it fully unfolded. Watching Truman figure out that his whole world is fake and trying to break free is equal parts heartbreaking and inspiring. It really makes you think about how much of your life is influenced by the world around you and what’s actually real. The choice of location was genius, the town Truman lives in, Seahaven, is picture-perfect. It was filmed in Seaside, Florida, and honestly, it looks like something out of a postcard. But that’s the point, it feels like the kind of place you'd dream of but quickly realize is too good to be true, just like Truman’s life. The way they shot the movie is genius too. Cinematographer Peter Biziou masterfully used unconventional angles, hidden-camera perspectives, and subtle vignetting to make you feel like you’re watching Truman through the eyes of the people spying on him. Thematically, The Truman Show hits hard. It’s about the constructed realities we live in, whether imposed by media, society, or even ourselves. It explores what it means to live authentically and the cost of breaking free from comfort and illusion. And honestly, how many movies make you question the nature of your own life? Beyond the story, the film’s legacy is remarkable. It anticipated a world of mass surveillance and reality TV, making it more than just a movie, it’s a cultural touchstone. Even now, its themes feel fresh and unsettling, like it was made for today. It’s not just an entertaining watch but a thought-provoking experience that stays with you long after the credits roll. Whether it’s your first time watching or a revisit, The Truman Show feels like a mirror to our times.

If you think Simon Cowell is a television control freak, just meet "Christof" (Ed Harris) who built an huge great dome you can see from space, populated by dozens of ever-changing actors all so the ever-curious world can follow the life of one man. "Truman Burbank" (Jim Carrey) has lived what he considers to be a perfectly normal, trouble-free, life that has led him to his currently, happily married, status with "Meryl" (Laura Linney). He hasn't quite seemed to clock that every day bears a striking resemblance to the one before, but if it ain't broke... Then he begins to notice things that trigger some cerebral rebellion to his Elysian existence. He begins to realise just how unnaturally predicable everything in his life is whilst recalling his old flame "Lauren" (Natascha McElhone) who was inexplicably whisked away from a midnight seaside rendezvous. When his car radio accidentally picks up the talkback frequency and he quickly thereafter stumbles upon some sloppy scene-setting, he begins to question his whole reality - and boy is he in for one hell of a shock! What can he do, though? Every attempt to "escape" is thwarted and we know he is terrified of the water... Will he get to the truth? Easily Carrey's best role in my book, as he plays the good natured but slightly vacuous character whom we see evolve into someone much more capable than many - including his puppet-master - think possible. It's a comically savage indictment on the routine nature of the life so many people go through as one year follows another with little, if any, change to the safe daily regimen. The writing allows Carrey to deliver a plausibly characterful effort that's entertaining and engaging and hats also ought to come of to his on-screen wife (Linney) who presumably sacrifices quite a lot for her art and watches the man she cares for become a bit of a personality car crash. Could it ever happen? Maybe the old sailors were right - and there is an end of the flat world, as we know it...?